Hello, writers! As you’re embarking on your great resolution to FINALLY write that book (well done, you!), here are some pointers to keep in mind as you approach editors. (Post 2/3)
How can you find your editor?
You have some say over which editor buys your book, especially if you’re a repeat author and you’ve built a relationship with the publishing house. But in traditional publishing the choice is often out of your hands. If you have an agent, they will offer some guidance on which editor will do a good job with your book.
In hybrid publishing, the publisher will suggest an editor to work with you. This editor might be freelance or working in house. That’s not a bad thing—the publisher has vetted this editor and knows they’re a good fit for your topic—but if you’re keen to work with a particular editor, even if outside that house, it never hurts to ask. Customizing your plan is one of the advantages of a hybrid publishing model.
If you’re self-publishing, you will need to source your own editor, which can be overwhelming. Professional associations, like Editors Canada, maintain a searchable database of editors for hire.
Regardless of which publishing style you use, here are six suggestions for how to pick your editor.
1/ Subject knowledge: Choose an editor who has worked on books in your subject area. By that I mean categories: history, memoir. If the editor has never edited poetry, don’t let them start on your poetry collection.
2/ Editing experience: Generally, editors start out proofreading, then move on to copy editing, and then to substantive editing. Make sure your substantive editor has been at it a while, usually about five years minimum.
3/ Related experience, interests, and mentors: An editor might be active in their community—for example, climate organizing—and that specific knowledge could come in handy for your book. They might be well versed in fine wines, or have had a previous career as a film producer, and that info could be helpful for your book. An editor might have also been mentored by a leading editor, which will have further developed their skills.
4/ Logic and creativity: Editors are in the service industry, but they’re also artists. Make sure your editor can think logically and creatively so they can sort through the problems of your manuscript, suggest alternative approaches, even come up with a title.
5/ Word-of-mouth: Ask around. Your author friends will likely have recommendations for editors who are talented and personable. This approach is key if you’re self-publishing and tempted to Google “best book editors” or enter “editor” into LinkedIn.
6/ Personality fit: Editors are not just wordsmiths. They’re also professional cheerleaders, therapists, and coaches. You’re forming a working relationship that will hopefully last years, so make sure—at minimum—you get along with each other.
Next up: the nitty-gritty of approaching an editor, and how much you can expect to pay.
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